Arnold s epochs expansion and epochs concentration

In other words, what modern and postmodern people often say, is that those things are not in the canon because they are aesthetically, objectively superior, as Arnold claims, but because they are politically correct to that time period.

How to cite this page Choose cite format: He begins his essay by asserting that criticism is a positive, noble task agreeing with Alexander Pope in this, but even more fully on it. Even if good literature entirely lost currency with the world, it would still be abundantly worth while to continue to enjoy it by oneself.

I have done with this subject, I believe, forever.

Arnold’s Epochs of Expansion Essay

Starting with Matthew Arnold, the critic comes into his own, and has only gotten more and more important as we move to the end of our century. He is sympathetic only to the classical, he rates the continental poets higher than the Arnold s epochs expansion and epochs concentration English poets, and the moral test which he applies often makes him neglect the literary qualities of a poet.

According to Arnold, the epoch of expansion was seen in two very important periods, the first epoch of expansion is Periclean Athens, in which the greatest voices and works of Aeschylus, Sophocles, and Euripides existed, and the second epoch of expansion is Elizabethan England, where the greatest voices and works of William Shakespeare, Christopher Marlowe, and Ben Jonson flourished.

For a poem to be of real quality, it must possess both a "higher truth" and a "higher seriousness. But to speak of books and reading may easily lead to a misunderstanding here.

I am sorry for it, for I am afraid I must disappoint these expectations. It is his accident that his ideas were at the service of an epoch of concentration, not of an epoch of expansion; it is his characteristic that he so lived by ideas, and had such a source of them welling up within him, that he could float even an epoch of concentration and English Tory politics with them.

Anyway, just one moe instance of self-preservation being aligned with rather than opposed to art. And all we are in the habit of saying on it has undoubtedly a great deal of truth.

The multitude will forever confuse them; but happily that is of no great real importance, for while the multitude imagines itself to live by its false science, it does really live by its true religion.

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Such an epoch of expansion seems to be opening in this country. But disinterestedness means that the critic should have no interests except aesthetic appreciation. In the first place all danger of a hostile forcible pressure of foreign ideas upon our practice has long disappeared; like the traveller in the fable, therefore, we begin to wear our cloak a little more loosely.

Poets are needed to embody the zeitgeist, the spirit of the age. Arnold "Poetry is interpretative by having natural magic in it, and moral profundity". It obeys an instinct prompting it to try to know the best that is known and thought in the world, irrespectively of practice, politics, and everything of the kind; and to value knowledge and thought as they approach this best, without the intrusion of any other considerations whatever.

We shall offer first, an overview of the main theorists of this unit. But there was a sort of equivalent for it in the complete culture and unfettered thinking of a large body of Germans. But surely the one thing wanting to make Wordsworth an even greater poet than he is,—his thought richer, and his influence of wider application,—was that he should have read more books, among them, no doubt, those of that Goethe whom he disparaged without reading him.

His poems deal with Scottish dress, Scottish manner, and Scottish religion. Gray constantly studied and enjoyed Greek poetry and thus inherited their poetic point of view and their application of poetry to life.

This life, too, may have its excesses and dangers; but they are not for us at present. All right, lets turn to Matthew Arnold.

Who can forget his famous poem "Dover Beach"which presents the cardinal voice of Victorian literaturethe doubt and faith in religion. Even the practical consequences of a book are to genuine criticism no recommendation of it, if the book is, in the highest sense, blundering.The Function of Criticism at the Present Time.

Matthew Arnold () Arnold says "epochs of concentration cannot well endure forever" (17) epochs of expansion. Arnold says that these follow epochs of concentration. Says that one seems to be opening during. CHAPTER-V MATTHEW ARNOLD AS A SOCIAL CRITIC Arnold's critical sensibility acts like an instrument of the best knowledge We will see next his critical sensibility in action -.

don’t always create great pieces. And, not all epochs can create great To best serve the function in expansion, the critic’s thought should be Microsoft Word - Function of Criticism at the Present dominicgaudious.net Author: john press.

Arnold's view came to be known through his work "The Function of Criticism at the present Time". The Function of Criticism at the Present Time * In this work, Matthew ARNOLD spoke about “Epochs of Concentration” and “Epochs of Expansion”.

Arnold's contribution to literary theory is his theories on epochs of expansion and epochs of concentration, show more content In Arnold's essay "The Function of Criticism at the Present Time", Arnold asserted that criticism is a positive and noble task.

Matthew Arnold

Just as poets are needed to harness the energy of epochs of expansion, so critics are needed during epochs of concentration, in order to help create and foster a free flow of ideas that will initiate a new epoch of expansion.

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Arnold s epochs expansion and epochs concentration
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